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4 - The Anthropological I/Eye

At this point, we’ve explored a lot of big ideas that are important in the discipline. You may be thinking, okay but how am I going to be an anthropologist?

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This week, we unpack how stereotypes developed throughout the years, and representations in media, literature, and photos, shape our understanding of what it means to be an ‘anthropologist’. In a sense, we’re taking a closer look at whose boots, or khakis, we’re filling and whether we even like the style of those khakis or boots at all. This is important to consider if we’re preparing to meld our own identity to that of an ‘anthropologist of the future’ – what kind of figure do we become when assuming this role? Ultimately, the focus is on the ‘reflexive turn’ in anthropology, with a more critical awareness of constructions of ‘self’ and ‘Other’. 

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In addition, we look at how these visual techniques – photos, illustrations, and media – that represent anthropologists, are also methods anthropologists mobilize to document their work and field site. Contemporarily, there has been an embrace of visual methods, heightening our capacity to be collaborative and creative in research. In class, you will analyse a photomap with prompts to guide you and complete a photo-taking activity. 

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For this week’s tutorial, complete the two required readings and consider the following to get you thinking: Why have you been drawn to studying anthropology? 

Module 4: Intro
PhotoMap.jpg

Tutorial Questions

< The resource you'll be using for an in-class activity, asking:
Who is featured in the photo?  
Where is our attention drawn? 
Why might this photo have been framed in this way, or why was this photo taken at all? 
What does this photo tell us about the anthropologist, or the people in the field?

Module 4: Body

Required

Click to Download

Li, J 2021, ‘I, The Anthropologist: Stereotypes and Representations of this Funny Figure’

Li, J 2021 ‘The Anthropological Lens in Action: Photo-Making of the Future?’

Module 4: Files

Recommended

Listen to the podcast episode that the excerpt in Reading #2 comes from, about lens-based violence â€“ offers a contemporary example of the dynamics of visual methods today > https://thefamiliarstrange.com/2021/04/05/ep-72-weaponised-photography/ (Content warning: please keep in mind that there are mentions of SA that may be triggering) 

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A post about dressing as an anthropologist for professional events > https://savageminds.org/2013/11/20/conference-chic-or-how-to-dress-like-an-anthropologist

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Göğüş, S 2019 "Puzzling’ moments in the field: Dilemmas of positionality and self-reflexivity', Peace Research Institute Frankfurt, pp. 1-14, accessed June 12 2021, <www.jstor.org/stable/resrep19889>. 


Lum, K 2012, 'From analog to digital: A consideration of photographic truth', in Everything is relevant: Writings on art and life, 1991-2018, Concordia University Press, Montreal, pp. 213-223, accessed June 12 2021, <http://www.jstor.org/stable/j.ctvwvr2jd.37>. 

Module 4: List
bio pic for anthro.jpg

Jess Li

Interested in creativity and locality, my honours thesis studies how young creatives build community in suburbia. In line with this, I help run an initiative (Way Over There Collective) that prioritises BIPOC artists in the South-East.

Module 4: Team Members

©2021 by Anthropology Honours students in 'Philosophy and Scope' at the University of Melbourne

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